The Culture of Possibility Art Artists the Future by Arlene Goldbard
The Culture of Possibility : Art, Artists & the Future
Waterlight Press, 2013 - 189 halaman
Van Jones said it well: "If we're going to end this financial madness and start rebuilding America, we're going to have to get creative! Nosotros demand a tsunami of music, film, poetry and art. The Culture of Possibility shows u.s. how creativity can take our story back from Corporation Nation, tilting the culture towards justice, equity, and innovation. I urge you lot to read this book!"We are in the midst of seismic cultural change. In the onetime paradigm, priorities are shaped by a mechanistic worldview that privileges whatever can be numbered, measured, and weighed; human beings are pressured to accommodate to the terms gear up by their own creations. How nosotros feel, how nosotros connect, how nosotros spend our time, how we make our manner and come to know each other-these are all part of the scenery.In the new epitome, things are given their true value. People intendance passionately about how they and the things they value are depicted. They revive themselves subsequently a long workday with music or dance, by making something cute for themselves or their loved ones, by expressing their deepest feelings in poetry or watching a film that never fails to condolement. In the new prototype, it is understood that culture prefigures economic science and politics; it molds markets; and it expresses and embodies the inventiveness and resilience that are the human species' greatest strengths. The bridge between paradigms is being built by artists and others who have learned to deploy artists' cerebral, imaginative, empathic, and narrative skills. The bridge is made of the stories that the sometime epitome tin can't hear, the lives that it doesn't count, the imagined future it tin't encompass. Using start-person stories, drawing on both history and headlines, embracing new knowledge from didactics, medicine, cognitive science, spirituality, politics, and other realms, The Civilization of Possibility shows why, how, and where nosotros can build a bridge to a sustainable future. The Culture of Possibility: Fine art, Artists & The Hereafter comprises ii main sections with a prelude:"Hidden in Plain Sight: Twenty-Eight Reasons to Pursue The Public Interest in Art" features 28 brusk capacity (almost no more than a page or two) exploring emergent knowledge from many realms including commerce, anthropology, social science, medicine, spirituality, cognitive science, art, public policy, and others. Each affiliate highlights stories, research, and emerging developments that bespeak to a specific public interest in cultivating empathy, imagination, and customs through artistic and cultural creativity. "The World Is Upside Down" examines the civilization of Corporation Nation in which man pleasures are channeled into optimal modes of consumption, each buy triggering the need for more. People's own cultural heritages have been devalued in favor of a commoditized American culture synthetic of an idealized past and a product-placement future. A steady doom-vanquish tries to go along us feeling less than, lubricating the system with the perpetual promise that our malaise can be cured past the right acquisition. This is juxtaposed with art and other forms of cultural expression: art is the practice of freedom. How fine art and artists are treated testifies to social well-being. And culture'due south latent power to actualize well-being is enormous, because its contains the raw material of self-conclusion and connection that will allow us to outgrow Corporation Nation. Using offset-person stories, drawing on both history and headlines, this section calls for two types of activeness: greatly enlarging our understanding of art's public purpose and importance and greatly reducing corporate domination. Although the official story may see the ii every bit unrelated, the relationship is actually close: artists' skills of social imagination, improvisation, empathy, and resourcefulness are needed to break Corporation Nation'south grip on our collective sense of the possible, overturning the inherited powerlessness that consigns the many to live equally subjects of the few.
Source: https://books.google.com/books/about/The_Culture_of_Possibility.html?id=1tt6mwEACAAJ
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